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Σὺν Ἀθηνᾷ καὶ χεῖρα κίνει. Panoply.
The news comes ahead of the Season 1 finale on July 11. Based on “All Systems Red,” the first novella in Martha Wells’ series “The Murderbot Diaries,” the season stars Alexander Skarsgård as “a self-hacking security construct who is horrified by human emotion yet drawn to its vulnerable clients” that “must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe,” per the official logline ... .
Apple Books | Amazon | Barnes&Noble | Google Play
It was a cut-rate little mass market paperback original, with no publisher support and zero marketing or publicity budget—in the days before social media. Yet it won a boatload of awards and was named #25 on Esquire‘s Best Science Fiction of All Time.
Curious about why I’ve been inducted into the SFF Hall of Fame?
Why I was recently honoured as the 41st Damon Knight Memorial Grand Master?
Well, this is where it all began.
So here’s your chance to try it—for just $1.99—today only. All US platforms (maybe Canada too, but you should check that). If you’ve already read it, buy it for a friend. Perhaps they’re curious, too…
Bookshop.org | Apple Books | Amazon | Barnes&Noble | Google Play
He's a lonely skateboarding shaman with a winning smile and a way with the ladies. She's a bloodthirsty wisecracking wrestler who hides her beauty behind a pair of thick-framed spectacles. They fight crime!
He's an unconventional soccer-playing grifter in a wheelchair. She's an orphaned foul-mouthed socialite from out of town. They fight crime!
He's an oversexed ninja werewolf fleeing from a secret government programme. She's an enchanted snooty advertising executive with a knack for trouble. They fight crime!
My absolute unit of a Grand Master award arrived!
I kept trying to get a decent picture of it to show the lovely colours of all the different stones.1 I tried dim light, bright light, sunlight… All the things. None of them conveyed its true glory—and sheer size. It’s well over 30 cm tall, maybe 11 cm square, and its weight is not trivial (though only about half what it might be if it were made of glass).
Then I lugged it into my office and stuck it on my desk while I decide what to do with it. Serendipitously I put it in front of a padded mailer (which I’m about to sent out to the winning bid on one of my Locus pledges) and that made everything look much nicer.
So then I futzed about a bit more and finally got a picture of the lapis sphere. It’s huge—at least squash-ball size—and in front of the buff envelope it looked its proper colour. Also remarkably like our planet turning serenely in space.
So here you go: my Damon Knight Memorial planet, Lapis Earth.
The Aud books have been out in the UK 5 days. I don’t really have much of a window into how they’re selling and/or how readers are responding, but I know that at in Edinburgh and London at least she’s beginning to find her way into new hands. I am jealous—I still don’t have my author copies.
Here’s Canongate in Edinburgh—home of Caongate Books, home of Aud in the UK.
And here’s Daunt’s, a bookshop in London, where apparently Aud was spotted face-out in a high-traffic area of the shop.
If anyone else has pictures, or simply reports of sightings of Aud out and about, I’d be happy to hear about it. (Pet pix a bonus!)
Ghost Quartet is a band: Dave Malloy on keyboard, Brent Arnold on cello, Gelsey Bell and Brittain Ashford on various instruments, and everyone providing vocals. Ghost Quartet is a song cycle, a concert album performed semi-staged, a mash-up of "Snow White, Rose Red," The One Thousand and One Nights, the Noh play Matsukaze, "Cruel Sister", "The Fall of the House of Usher", the front page photo of a fatal train accident, and a grab bag of Twilight Zone episodes. The ghost of Thelonious Monk is sometimes invoked, but does not appear; whisky is often invoked, and, if you see the show live, will most certainly appear. "I'm confused/And more than a little frightened," says (one incarnation of) the (more-or-less) protagonist. "It's okay, my dear," her sister/lover/mother/daughter/deuteragonist reassures her, "this is a circular story."
Once upon a time two sisters fell in love with an astronomer who lived in a tree. He seduced Rose, the younger, then stole her work ("for a prestigious astronomy journal"), and then abandoned her for her sister, Pearl. Rose asked a bear to maul the astronomer in revenge, but the bear first demanded a pot of honey, a piece of stardust, a secret baptism, and a photograph of a ghost. (The music is a direct quote of the list of spell ingredients from Into the Woods.) Rose searches for all these ingredients through multiple lifetimes; and that's the plot.
Except it is much less comprehensible than that. The songs are nested in each other like Scheherazade's stories; you can follow from one song to the next, but retracing the connections in memory is impossible; this is less a narrative than a maze. Surreal timelines crash together in atonal cacophany; one moment Dave Malloy, or a nameless astronomer played by Dave Malloy, or Dave Malloy playing Dave Malloy is trying to solve epistemology and another moment the entire house of Usher, or all the actors, are telling you about their favorite whiskies. The climax is a subway accident we have glimpsed before, in aftermath, in full, circling around it, a trauma and a terror that cannot be faced directly; the crash is the fall of a house is the failure to act is the failure to look is the failure to look away.
There are two recordings available. Ghost Quartet, recorded in a studio, has cleaner audio, but Live at the McKitterick includes more of the interstitial scenes and feels more like the performance.
In Greenwood Cemetery, there were three slightly raised stages separated by batches of folding chairs, one for Dave Malloy, one for Brent Arnold, and one for Gelsey Bell and Brittain Ashford, with a flat patch of grass in the center across which they sang to each other, and into which they sometimes moved; you could sit in the chairs, or on cushions in front of the first row, or with cheaper tickets you could sit in the grass on the very low hills above the staging area, among the monuments and gravestones, and, presumably, among more ghosts. The show started a little before sunset; I saw a hawk fly over, and I could hear birds singing along when the humans sang a capella. It was in the middle of Brooklyn, so even after dark I couldn't see stars; but fireflies sparked everywhere.
Bookshop.org | Amazon UK | Waterstones | WH Smith
Today, for the first time, the Aud trilogy (The Blue Place, Stay, Always) will be published in the UK. It only took 27 years. I know I’m not even remotely an impartial observer but these books kick ass. I love them with a crazy love. And I would dearly like UK readers to go buy a copy—and then tell me what you think.
Do you know any other queer noir/not-noir novels 1 praised by Dennis Lehane, Val McDermid, Dorothy Allison, Lee Child, Manda Scott, Francis Spufford, Laurie King, Ivy Pochoda, Robert Crais, Alex Gray, Elizabeth Hand, James Sallis, and more? No? Then maybe you should go find out what brings together such disparate writers in their love.
You can buy now or borrow from your local library. Enjoy!
Bookshop.org | Amazon UK | Waterstones | WH Smith
There are certain people in the world who are so uncaring of others’ needs and feelings that they are untroubled by conscience—they have no conscience. These are the people who as children pulled the wings off flies for fun, just because they could. These are people who, when they have power, kill other people.
Here today, by ‘people’ I am referring specifically to the current US administration. There are literally dozens of decisions the Trump administration and its minions in Congress have made that will kill people at home and abroad. Remember that: dozens.1 I’m going to mention just two as examples, one foreign, one domestic.
According to the Congressional Budget Office, a non-partisan agency, the OBBB (‘one big beautiful bill’) package just passed by the Senate and now back with the House would increase the federal deficit by $3.4 trillion over the next 10 years. 11.8 million Americans will lose their health insurance in the next decade due to the bill’s changes to Medicaid and the ACA, while more than half Americans will pay fewer taxes.
According to the Yale Budget Lab, after taking into account tax and social safety net changes, the poorest 20% of U.S. households will lose an average of 2.9% of their real income. The real income of the next 20% of households would remain flat. The top 60% of households (those earning over about $36,500 a year) will all benefit—but those in the top 20% (earning over about $120,500) will benefit massively—and just look at how much the top 5% (earning >$265,000) will gain.
At those low incomes, nearly 3% can mean the difference between survival and not: the old, the frail, the ill, the disabled will die—most especially the old, fail, ill and disabled people of colour. Can you spell ‘eugenics’?
Then add in the ballooning deficit, and what they will mean in terms of the value of the dollar and the ability of the US to borrow, and things get virulently worse, very quickly. In the short term, many people in the US will die; in the long term, many many people will die.
Again, I’m going to talk about just one decision (of so many, so very many): the shuttering of USAID. I just looked at a new paper in The Lancet: 2
Higher levels of USAID funding—primarily directed toward LMICs, particularly African countries—were associated with a 15% reduction in age-standardised all-cause mortality (risk ratio [RR] 0·85, 95% CI 0·78–0·93) and a 32% reduction in under-five mortality (RR 0·68, 0·57–0·80). This finding indicates that 91 839 663 (95% CI 85 690 135–98 291 626) all-age deaths, including 30 391 980 (26 023 132–35 482 636) in children younger than 5 years, were prevented by USAID funding over the 21-year study period. USAID funding was associated with a 65% reduction (RR 0·35, 0·29-0·42) in mortality from HIV/AIDS (representing 25·5 million deaths), 51% (RR 0·49, 0·39–0·61) from malaria (8·0 million deaths), and 50% (RR 0·50, 0·40–0·62) from neglected tropical diseases (8·9 million deaths). Significant decreases were also observed in mortality from tuberculosis, nutritional deficiencies, diarrhoeal diseases, lower respiratory infections, and maternal and perinatal conditions. Forecasting models predicted that the current steep funding cuts could result in more than 14 051 750 (uncertainty interval 8 475 990–19 662 191) additional all-age deaths, including 4 537 157 (3 124 796–5 910 791) in children younger than age 5 years, by 2030.
Which boils down to
Do not try to appeal to the administration or Congress’s better natures. They don’t have one. They understand power. The power we have is our voice and our vote. Use it. Thinks of the tens of millions of people—real people, with real lives—who are dying now and will die in the future because people like us gave those wing-pullers power. Take their power away. Please.
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