July 14th, 2025
taevachi: (summer)
posted by [personal profile] taevachi in [community profile] dreamwidth_pagans at 12:15pm on 14/07/2025
Hi! Around 13th of July has been the "middle of summer" in Finland and Estonia at least historically (because it's the warmest time of summer, not related to sun's movements) and in Estonia it's also been called the Bear's Day. That's why I wanted to share a little bear related runosong (traditional Finnic oral poetry) if that's okay by the rules! With my clumsy translation. It is a spell or chant or prayer so a bear wouldn't attack cattle :]

Read more... )

July 11th, 2025
chomiji: An image of a classic spiral galaxy (galaxy)
posted by [personal profile] chomiji at 10:53pm on 11/07/2025 under ,

‘Murderbot’ Renewed for Season 2 at Apple TV+

The news comes ahead of the Season 1 finale on July 11. Based on “All Systems Red,” the first novella in Martha Wells’ series “The Murderbot Diaries,” the season stars Alexander Skarsgård as “a self-hacking security construct who is horrified by human emotion yet drawn to its vulnerable clients” that “must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe,” per the official logline ... .

Mood:: 'jubilant' jubilant
posted by [syndicated profile] asknicola_feed at 02:47pm on 11/07/2025

Posted by Nicola Griffith

Square blue graphic of a novel, Ammonite by Nicola Griffith, and text reading "Ebook Deal $1.99, today only"
One-day only sale of Ammonite

Apple Books | Amazon | Barnes&Noble | Google Play

Ammonite was my first novel.

  • “Ammonite, by Nicola Griffith, is the first novel of a major talent.” — Denver Post
  • “Uncompromisingly packed with non-dogmatic feminist and queer ideologies… Griffith reveal[s] herself to be fluent in presenting realistic science and its implications, capable of cinematic clarity in her prose, insightful with emotions and character.” — Washington Post Book World

It was a cut-rate little mass market paperback original, with no publisher support and zero marketing or publicity budget—in the days before social media. Yet it won a boatload of awards and was named on Esquire‘s Best Science Fiction of All Time.

  • “Gripping and gutsy, rich in layers of feminist and queer thought, Ammonite gleefully throws a stick of dynamite into the sci-fi firmament.” — Esquire
  • “Ammonite is utterly believable, and at times heart-wrenching in its emotional power; the characterisation is impeccable.” — New Statesman and Society
  • “Ms. Griffith is an astonishingly gifted writer… Her work is of the very best in the lesbian and gay literary field.” — Allen Ginsberg

Curious about why I’ve been inducted into the SFF Hall of Fame?

  • Ammonite is a self-assured, unselfconscious, convincing depiction of a world without men…doing what only SF can do, and doing it with skill and brio. It answers the question ‘When you eliminate one gender, what’s left?’ (‘A whole world,’ is the answer.)” — Ursula K. Le Guin
  • “Nicola Griffith’s first novel, Ammonite, flies all the banners of traditional sf but beneath the banners, it is armed to the teeth against convention.” — Interzone

Why I was recently honoured as the 41st Damon Knight Memorial Grand Master?

  • “Ammonite represents a major, no, make that a revolutionary change…a remarkable departure from the commonplace.” — Locus
  • “A serious assault on conventions so enormous that it is very much more dangerous, sometimes, than writing about lesbianism.” — Dorothy Allison
  • “Pays homage to Ursula K. Le Guin’s Left Hand of Darkness without inviting invidious comparisons.” — New York Times Book Review

Well, this is where it all began.

  • “Probably the best debut novel of the year—an accomplished, moving, intelligent, and graceful examination of gender roles, and a helluva good read.” — The New York Review of Science Fiction
  • “Pays homage to Ursula K. Le Guin’s Left Hand of Darkness without inviting invidious comparisons.” — New York Times Book Review

So here’s your chance to try it—for just $1.99—today only. All US platforms (maybe Canada too, but you should check that). If you’ve already read it, buy it for a friend. Perhaps they’re curious, too…

Bookshop.org | Apple Books | Amazon | Barnes&Noble | Google Play

  • winner, Tiptree award
  • winner, Lambda Literary Award
  • winner, Premio Italia
  • runner up, Locus First Novel Award
  • shortlist, British Science Fiction Award
  • shortlist, Arthur C. Clarke Award
  • Esquire, Best 75 Sci-Fi Novels of All Time

Apple Books | Amazon | Barnes&Noble | Google Play

July 10th, 2025
elf: Red & blue faces (Face Off)
posted by [personal profile] elf at 09:17am on 10/07/2025 under
I'd forgotten how much I love https://theyfightcrime.org.

He's a lonely skateboarding shaman with a winning smile and a way with the ladies. She's a bloodthirsty wisecracking wrestler who hides her beauty behind a pair of thick-framed spectacles. They fight crime!
He's an unconventional soccer-playing grifter in a wheelchair. She's an orphaned foul-mouthed socialite from out of town. They fight crime!
He's an oversexed ninja werewolf fleeing from a secret government programme. She's an enchanted snooty advertising executive with a knack for trouble. They fight crime!

something-something fic prompts )
chomiji: hand with crystal orb and word Magic (Fantasy Orb)
posted by [personal profile] chomiji at 01:24am on 10/07/2025 under , , ,
 Given that Edrehasiver VII became known as the Winter Emperor, I’m not shocked that we don’t have much info about how Midsummer is celebrated in the Ethuveraz (Elflands) in the first book.

But after some searching, I’m saddened to report that there’s nothing in the entire Cemeteries of Amalo on the subject either.  In fact, The Grief of Stones has not a single mention of the word “summer,” and the other two only mention it in reference to things like the summer homes of the nobility.

I’m trying to come up with something for a project, and so far I’ve only come up with fireworks and summer fruits like strawberries and plums.   I imagine that there are various agriculture-related  activities in rural areas among commoners (for example, bonfires rather than fireworks), but does anyone else have any inspirations for Summernight activities among the nobility?
Mood:: 'groggy' groggy
July 9th, 2025
posted by [syndicated profile] asknicola_feed at 03:00pm on 09/07/2025

Posted by Nicola Griffith

My absolute unit of a Grand Master award arrived!

Lucite rectangle, about 14" high and 4" square, in which are embedded several different semi-precious stones, including a squash-ball sized sphere of lapis lazuli
My Damon Knight Memorial Grand Master Award arrived yesterday…

I kept trying to get a decent picture of it to show the lovely colours of all the different stones.1 I tried dim light, bright light, sunlight… All the things. None of them conveyed its true glory—and sheer size. It’s well over 30 cm tall, maybe 11 cm square, and its weight is not trivial (though only about half what it might be if it were made of glass).

Then I lugged it into my office and stuck it on my desk while I decide what to do with it. Serendipitously I put it in front of a padded mailer (which I’m about to sent out to the winning bid on one of my Locus pledges) and that made everything look much nicer.

Lucite block with semi-precious stones in it in front of a padded mailer
Well, that’s better

So then I futzed about a bit more and finally got a picture of the lapis sphere. It’s huge—at least squash-ball size—and in front of the buff envelope it looked its proper colour. Also remarkably like our planet turning serenely in space.

So here you go: my Damon Knight Memorial planet, Lapis Earth.

A polished sphere of lapis lazuli with cream and light brown inclusions that make it look like the planet earth spinning in front of a buff-coloured padded envelope
Lapis Earth floating serenely in lucite
  1. See The glory of a grand gong for an annotated image of what’s what. ↩

airic: photograph of a large couldron with smoke rising above, over a firepit (Default)
posted by [personal profile] airic in [community profile] dreamwidth_pagans at 12:33am on 09/07/2025
These last few years it seems all this astrology and, as the kids say, "woo-woo", have become ever more popular. People seem to be practicing more and more. That's cool so long as people don't turn their backs on science and reason.

Do you really wanna know more about me...? )

Currently, I'm focusing on walking The Red Road, delving back into the occult, green magick, and my own mix of Indigenous spirituality and Satanism. [community profile] thefreaksclub Sibling Community [community profile] the_magick_circle is where I talk about that. I also help run a few others.

[community profile] ethical_society_of_satan which is about society, ethics, philosophy, humanism, non-theological satanism, and other such related things.
[community profile] veg_life which is about vegetarian and vegan lifestyles, animal rights, the environment, and all that.
[community profile] first_nations_freaks for all Native American news, culture, discussions, and whatnot.
[community profile] openhearts_openminds ...polytheism? Maybe! Polyamory? Definitely. All about your less commonly discussed relationship types and other topics relating to relationships.

X-Posted in [community profile] the_magick_circle (dark theme!)
July 8th, 2025
posted by [syndicated profile] asknicola_feed at 07:01pm on 08/07/2025

Posted by Nicola Griffith

The Aud books have been out in the UK 5 days. I don’t really have much of a window into how they’re selling and/or how readers are responding, but I know that at in Edinburgh and London at least she’s beginning to find her way into new hands. I am jealous—I still don’t have my author copies.

Here’s Canongate in Edinburgh—home of Caongate Books, home of Aud in the UK.

Photo of a novel, THE BLUE PLACE b Nicola Griffith, published by Canongate, being held in line with a street sign on an Edinburgh city street, Canongate
A Canongate on Canongate, Edinburgh (thanks @sailboat@mastodon.scot)

And here’s Daunt’s, a bookshop in London, where apparently Aud was spotted face-out in a high-traffic area of the shop.

Image of a shelf in a book shop holding several books face out, including, prominently at te end, a novel STAY  by Nicola Griffith
Aud Daunts her public (Daunt’s in London displaying STAY face out—thanks Magda)

If anyone else has pictures, or simply reports of sightings of Aud out and about, I’d be happy to hear about it. (Pet pix a bonus!)

rachelmanija: (Books: old)


Ellie is a Lipan Apache teenager in a world where magic, vampires, ghosts, and so forth are known to be real. She’s inherited the family gift for raising ghosts, though she only raises animals; human ghosts always come back wrong, and she’s happy with the companionship of her beloved ghost dog Kirby, not to mention her pet ghost trilobite. But when her cousin, who supposedly died in a car crash, returns in a dream to tell her he was murdered, she finds that knowing who killed him isn’t as helpful as one might imagine…

Ellie’s cousin Trevor told her the name of his killer, Abe Allerton from Willowbee, but he didn’t know why or how he was killed. Ellie enlists her best friend, Jay, a cheerleader with just enough fairy blood to give him pointy ears and the ability to make small lights. More importantly, he’s good at research. They learn that Willowbee is in Texas, near the town where Trevor lived with his wife, Lenore, and their baby. Jay brings in help: his older sister’s fiancé, Al, who’s a vampire.
All of them, plus Ellie’s parents and a ghost mammoth belonging to her grandmother, play a part in the effort to solve the mystery of Trevor’s death and bring his murderer to justice. And so, in a sense, will a major character who’s long dead (and not a ghost) but who’s a big presence in Ellie’s life: Six-Grand, her great-great-great-great-great-great grandmother, the last person to have a gift as powerful as Ellie’s… and who vanished forever into the underworld.

I enjoyed this quite a bit. I mean, come on. GHOST TRILOBITE. GHOST MAMMOTH. It’s funny, it’s sweet, it’s heartfelt, it has lovely chapter heading illustrations, and it’s got some gorgeous imagery - I particularly loved a scene where the world transforms into an oceanic underworld, and Ellie sees a pod of whales swimming in the sky of a suburban neighborhood.

It's marketed as young adult and Ellie is seventeen, but the book feels younger (and so does Ellie.) I'd have no qualms handing it to an advanced nine-year-old reader, but it also appeals to adult me who misses the time when "urban fantasy" meant "our world, but with ghosts, elves, and so forth."
July 6th, 2025
coffeeandink: (utena (fairytale ending))

Ghost Quartet is a band: Dave Malloy on keyboard, Brent Arnold on cello, Gelsey Bell and Brittain Ashford on various instruments, and everyone providing vocals. Ghost Quartet is a song cycle, a concert album performed semi-staged, a mash-up of "Snow White, Rose Red," The One Thousand and One Nights, the Noh play Matsukaze, "Cruel Sister", "The Fall of the House of Usher", the front page photo of a fatal train accident, and a grab bag of Twilight Zone episodes. The ghost of Thelonious Monk is sometimes invoked, but does not appear; whisky is often invoked, and, if you see the show live, will most certainly appear. "I'm confused/And more than a little frightened," says (one incarnation of) the (more-or-less) protagonist. "It's okay, my dear," her sister/lover/mother/daughter/deuteragonist reassures her, "this is a circular story."

Once upon a time two sisters fell in love with an astronomer who lived in a tree. He seduced Rose, the younger, then stole her work ("for a prestigious astronomy journal"), and then abandoned her for her sister, Pearl. Rose asked a bear to maul the astronomer in revenge, but the bear first demanded a pot of honey, a piece of stardust, a secret baptism, and a photograph of a ghost. (The music is a direct quote of the list of spell ingredients from Into the Woods.) Rose searches for all these ingredients through multiple lifetimes; and that's the plot.

Except it is much less comprehensible than that. The songs are nested in each other like Scheherazade's stories; you can follow from one song to the next, but retracing the connections in memory is impossible; this is less a narrative than a maze. Surreal timelines crash together in atonal cacophany; one moment Dave Malloy, or a nameless astronomer played by Dave Malloy, or Dave Malloy playing Dave Malloy is trying to solve epistemology and another moment the entire house of Usher, or all the actors, are telling you about their favorite whiskies. The climax is a subway accident we have glimpsed before, in aftermath, in full, circling around it, a trauma and a terror that cannot be faced directly; the crash is the fall of a house is the failure to act is the failure to look is the failure to look away.

There are two recordings available. Ghost Quartet, recorded in a studio, has cleaner audio, but Live at the McKitterick includes more of the interstitial scenes and feels more like the performance.

In Greenwood Cemetery, there were three slightly raised stages separated by batches of folding chairs, one for Dave Malloy, one for Brent Arnold, and one for Gelsey Bell and Brittain Ashford, with a flat patch of grass in the center across which they sang to each other, and into which they sometimes moved; you could sit in the chairs, or on cushions in front of the first row, or with cheaper tickets you could sit in the grass on the very low hills above the staging area, among the monuments and gravestones, and, presumably, among more ghosts. The show started a little before sunset; I saw a hawk fly over, and I could hear birds singing along when the humans sang a capella. It was in the middle of Brooklyn, so even after dark I couldn't see stars; but fireflies sparked everywhere.

July 3rd, 2025
posted by [syndicated profile] asknicola_feed at 04:58pm on 03/07/2025

Posted by Nicola Griffith

Three novels by Nicola Griffith—THE BLUE PLACE, STAY, ALWAYS—each showing a woman's face blurred in motionm each tinted, respectively, blue, red, and purple, and with cover blurbs "I can't rave enough about the blue place, it just slayed me" Dennis Lehane. "Razor sharp" the new york times. "a thrill ride: the violence, the eroticism, the shockin gplot turns" seattle post-intelligencer
The three Aud novels published in the UK by Canongate, 3 July 2025.

Buy

Bookshop.org | Amazon UK | Waterstones | WH Smith

Today, for the first time, the Aud trilogy (The Blue Place, Stay, Always) will be published in the UK. It only took 27 years. I know I’m not even remotely an impartial observer but these books kick ass. I love them with a crazy love. And I would dearly like UK readers to go buy a copy—and then tell me what you think.

Do you know any other queer noir/not-noir novels 1 praised by Dennis Lehane, Val McDermid, Dorothy Allison, Lee Child, Manda Scott, Francis Spufford, Laurie King, Ivy Pochoda, Robert Crais, Alex Gray, Elizabeth Hand, James Sallis, and more? No? Then maybe you should go find out what brings together such disparate writers in their love.

You can buy now or borrow from your local library. Enjoy!

Buy

Bookshop.org | Amazon UK | Waterstones | WH Smith


  1. They use some of the prose style of noir but they don’t do noir, in the sense that Aud, the protagonist, does not trap herself in an ever-downward spiral. The three books between them describe a hopeful arc—with, y’know, lots of sex, and scams, and seamy cityscapes. Aud, like Hild, has an essential joy in life no matter what tight spot she finds herself in… ↩

July 2nd, 2025
posted by [syndicated profile] asknicola_feed at 07:13pm on 02/07/2025

Posted by Nicola Griffith

There are certain people in the world who are so uncaring of others’ needs and feelings that they are untroubled by conscience—they have no conscience. These are the people who as children pulled the wings off flies for fun, just because they could. These are people who, when they have power, kill other people.

Here today, by ‘people’ I am referring specifically to the current US administration. There are literally dozens of decisions the Trump administration and its minions in Congress have made that will kill people at home and abroad. Remember that: dozens.1 I’m going to mention just two as examples, one foreign, one domestic.

Domestically:

According to the Congressional Budget Office, a non-partisan agency, the OBBB (‘one big beautiful bill’) package just passed by the Senate and now back with the House would increase the federal deficit by $3.4 trillion over the next 10 years. 11.8 million Americans will lose their health insurance in the next decade due to the bill’s changes to Medicaid and the ACA, while more than half Americans will pay fewer taxes.

According to the Yale Budget Lab, after taking into account tax and social safety net changes, the poorest 20% of U.S. households will lose an average of 2.9% of their real income. The real income of the next 20% of households would remain flat. The top 60% of households (those earning over about $36,500 a year) will all benefit—but those in the top 20% (earning over about $120,500) will benefit massively—and just look at how much the top 5% (earning >$265,000) will gain.

At those low incomes, nearly 3% can mean the difference between survival and not: the old, the frail, the ill, the disabled will die—most especially the old, fail, ill and disabled people of colour. Can you spell ‘eugenics’?

Bar graph in blue, orange and red showing income loss or gain by quintile as a result of the OBBB

Then add in the ballooning deficit, and what they will mean in terms of the value of the dollar and the ability of the US to borrow, and things get virulently worse, very quickly. In the short term, many people in the US will die; in the long term, many many people will die.

Internationally

Again, I’m going to talk about just one decision (of so many, so very many): the shuttering of USAID. I just looked at a new paper in The Lancet: 2

Higher levels of USAID funding—primarily directed toward LMICs, particularly African countries—were associated with a 15% reduction in age-standardised all-cause mortality (risk ratio [RR] 0·85, 95% CI 0·78–0·93) and a 32% reduction in under-five mortality (RR 0·68, 0·57–0·80). This finding indicates that 91 839 663 (95% CI 85 690 135–98 291 626) all-age deaths, including 30 391 980 (26 023 132–35 482 636) in children younger than 5 years, were prevented by USAID funding over the 21-year study period. USAID funding was associated with a 65% reduction (RR 0·35, 0·29-0·42) in mortality from HIV/AIDS (representing 25·5 million deaths), 51% (RR 0·49, 0·39–0·61) from malaria (8·0 million deaths), and 50% (RR 0·50, 0·40–0·62) from neglected tropical diseases (8·9 million deaths). Significant decreases were also observed in mortality from tuberculosis, nutritional deficiencies, diarrhoeal diseases, lower respiratory infections, and maternal and perinatal conditions. Forecasting models predicted that the current steep funding cuts could result in more than 14 051 750 (uncertainty interval 8 475 990–19 662 191) additional all-age deaths, including 4 537 157 (3 124 796–5 910 791) in children younger than age 5 years, by 2030.

Which boils down to

  • USAID funding saved nearly 92 million lives during the 21 years analyzed
  • including over 30 million children under age 5
  • as result of o USAID, 14 million people will die within 5 years—14 million preventable deaths
  • and 14 is just the average—it could be as many as 19 million

So what’s my point?

Do not try to appeal to the administration or Congress’s better natures. They don’t have one. They understand power. The power we have is our voice and our vote. Use it. Thinks of the tens of millions of people—real people, with real lives—who are dying now and will die in the future because people like us gave those wing-pullers power. Take their power away. Please.


  1. Possibly hundreds. So many I truly don’t know where to start. Pandemic readiness, science funding, space funding, climate research, Gaza, Ukraine, tariffs, climate regulations, the ACA… ↩
  2. The full text, open access: do read it. ↩
rachelmanija: (Books: old)


In a prologue that's very Terry Pratchett-esque without actually being funny, an enormous floating tower appears in England, becomes a 12-hour wonder, and is then forgotten as people have short attention spans. Then thirteen random people suddenly vanish from their lives and appear at the base of the tower, facing the command ASCEND.

I normally love stories about people dealing with inexplicable alien architecture. This was the most boring and unimaginative version of that idea I've ever read. Each level is a death trap based on something in one of their minds - a video game, The Poseidon Adventure, an old home - but less interesting than that sounds. The action was repetitive, the characters were paper-thin, and one, an already-dated influencer, was actively painful to read:

Time to give her the Alpha Male rizzzzzzz, baby!

The ending was, unsurprisingly, also a cliche.

Read more... )

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