Blog – Nicola Griffith ([syndicated profile] asknicola_feed) wrote2025-08-18 02:00 pm

Worldcon Report

Posted by Nicola Griffith

This will be a very short report because we had to leave the con early because Kelley was unwell. (Not Covid or flu or other respiratory stuff, so no worries for anyone who spent time in close proximity with either/both of us.)

We registered on Wednesday, and I went straight into my first event, a table talk. (Thanks to Heather, Melody, David, Al, and Ralph for the interesting conversation!) Then we went to the bar with a couple of friends for a couple of hours.

Then we went home, because I had medical appointments the next day.

We came back on Thursday afternoon, checked into the hotel, and made our way to the convention centre for my autographing session (I was thrilled by the number of Slow Rivers I signed—probably the most in one day since the book first came out, lovely!) then we went to the bar again for a couple of hours, with some different friends.

Then I did my worldbuilding panel, which was delightfully well-attended. Then back to the hotel. Then cocktails and dinner with a friend. Then the bar again…for a long time. Many conversations. Many, many drinks. Much pleasure. An all around great time. But no sleep until 2 am—and we had to be up early the next day for yet another medical appointment.

Sadly, Kelley was feeling unwell. We were both exhausted before the convention began and though, as usual, all the wonderful conversation were rejuvenating, when you add all the to-and-fro of appointments, the lack of sleep (on top of several days in a row of little sleep), the cumulative stress we’ve been under for a while and, well, we hit the wall. So without even getting a cup of tea, never mind breakfast, we just packed, drove straight to the hospital (where Kelley slept for an hour in the back of the parked van while I went in and got all the fucking tests), then drove home. Kelley went straight to bed and I sat with the cats and started emailing apologies to people for the parties, the events, the interview, and the meetings I was about to miss. Sigh.

I truly am sorry we had to miss all those. These kinds of conventions are a great opportunity to see people I haven’t seen for years, who’ve travelled from other states, countries, and continents, or who perhaps I’ve only spoken with before via email or social media, or in Zoom meetings.

But even as I type this, I can still feel the vast fatigue like a subterranean lake moving dark and deep beneath the surface and I know we did exactly the right thing. There will be other cons, other parties. I’m just glad we got to be there for a while.

Blog – Nicola Griffith ([syndicated profile] asknicola_feed) wrote2025-08-12 06:14 pm

It’s not you, it’s me

Posted by Nicola Griffith

To all those friends, family, colleagues, neighbours, readers, and random strangers who have sent me email, postal mail, texted, left voicemail, responded to blog posts, or on social media, and been roundly ignored: sorry.

Please don’t take it personally. Please don’t read anything into it. It’s not about you. I am deleting most communications unread or unheard—sometimes even, in the increasingly rare instances where I have begun a conversation, in the middle of same. I’m doing this to survive. I have no bandwidth. This one time, it’s not you, it’s me1.

Why? Well, that’s a fat, intertwined braid of several stories at once, some of which I’ve dealt with and am trying to recover from, or at least adjust to, some of which have moved into a new phase, and some of which are currently so overwhelming I don’t want to give them any more space by talking about them. So for now I won’t. I’m not deliberately trying to be mysterious; I wouldn’t even have brought it up if I wasn’t about to attend Worldcon.

Starting tomorrow afternoon, I’ll be out and about at Seattle Convention Center and at the main hub hotel, the Sheraton Grand. (My schedule of events are here.) If you see me and want to chat, but think, Oh, I emailed her and she ignored me, she probably doesn’t like me or want to talk to me: Not true! For one, I probably don’t even know that you wrote to/called/messaged me, never mind what about. And two, the point of conventions to me is hanging out with people: the odds are very good that I would actually love to talk to you and/or set up time to chat later.

I’ve been doing what I’m doing in order to keep my head above water. There’s a lot still ongoing (during the convention I’ll have to disappear here and there for a few hours to attend to various non-con things; some planned, some probably not, sigh). But while I’m there I’m hoping to actually be there. So please do say hello. If I have hurt your feelings because I appear to have ghosted you, please give me some grace. My silence really—truly—is not personal.

And if we don’t see each other, well, have a great convention!


  1. Before this—and most likely long after all this is in the rearview mirror—nine times out of ten if I ignore you it’s because I want to. ↩
Blog – Nicola Griffith ([syndicated profile] asknicola_feed) wrote2025-08-10 04:00 pm

Worldcon, 13 – 16 August, Seattle

Posted by Nicola Griffith

Next week there are lots of things happening downtown at the Seattle Convention Centre, August 13 – 17, when Seattle hosts the 83rd World Science Fiction Convention, that is, Worldcon. Guests of Honour include Martha Wells (author), Donato Giancola (artist), and Bridget Landry (scientist). To attend, paid registration is required.

I’ll be doing a handful of things.

Wednesday, 13 August, 2025 — in-person

  • Event: Table Talk. Room 430. 4:30 pm – 5:30 pm
  • Description: Come chat with me in a small, casual group. Chat about what? Well that’s the thing—anything you like. The conversation is determined by the group. So if you want to talk about books—mine or other people’s, already published or still to come, great! If you’d rather ask who I think should star in a screen adaptation of a certain books, or want to know about Charlie and George’s latest adventures, or want info on the Early Medieval or some basic self-defence tips, also great! You get to decide.
  • Notes: You need to be registered for the convention and I believe you also need to sign up in advance because there are only 6 slots. See ‘small’ and ‘casual’ above.

Thursday, 14 August, 2025 — in-person

  • Event: Autographing. Garden Lounge (3F). 3:00pm – 4:00 pm.
  • Description: Me and a dozen or so other writers (Robert Silverberg, Seanan McGuire, Mur Lafferty, Curtis Chen, Terry Brooks, more) will autograph things that you bring.
  • Details: I can’t speak for the other writers but I’m very happy to sign novels, stories, magazines, anthologies, etc.—old and new—for readers, collectors, and resellers. I’ll personalise for readers and very selectively for collectors, but not for resellers. I’m happy to chat, too, assuming it’s not hectic. (Frankly I don’t expect my line to be hectic.) All I ask is that if there is a queue, and you have an entire box of stuff for me to sign, you let let those with fewer things go first.

Thursday, 14 August, 2025 — in-person and virtual

  • Event: Panel. “Worldbuilding Through Geography and Environments”. Room 433-434. 6:00pm – 7:00pm.
  • Description: Me, Martha Wells, Paolo Bacigalupi, and Morgan Smathers (m). “Geographic determinism provides a powerful element for worldbuilding, informing the audience of the wide-ranging world beyond. Join our authors as they explore the fundamentals qualities and techniques that secure this soundly for the audience.”
  • Details: I imagine I’ll get to talk about my favourite bits of writing: how my characters move through their environment, how that environment changes and is changed by them, and how I persuade the reader to believe me. It’ll be a great discussion!

I’ll also of course be found attending a few things like the Tor party on Friday, and hanging out in the bar at the convention hub hotel, the Sheraton Grand.

Blog – Nicola Griffith ([syndicated profile] asknicola_feed) wrote2025-08-09 07:33 pm

Help finding someone to type a short manuscript written in cursive

Posted by Nicola Griffith

My stepfather-in-law, Art Woodbury, has written a short but excellent how-to book on jazz improvisation.1 The problem? It’s written in pencil. In shaky cursive. With many alterations, erasures, and insertions. Plus a mix of photocopied and hand-drawn musical notations. Some pages are easy to read, others, well, not so much.

Here are a few sample photos to give you an idea:

It occurred to me that perhaps those who work in archival curation might know some people who—for a reasonable fee—might be willing to turn these handwritten pages into editable, digital text. It’s hard to estimate the length but I’d be surprised if it were over 20,000 words, and I’d guess closer to 12,000.

This is the work of Art’s heart—and mind, and expertise—and he would dearly like to see it published. Time is not on his side (he’s 95). So if anyone has any ideas about where to look so we can get this initial part of the process rolling I’d be most grateful.

Here’s the thing, it’s not just that I would like to please my stepfather-in-law but I genuinely believe this handbook would be a useful manual. So, again, I’d really be grateful for any suggestions anyone has. Please leave a comment below or reach out via the contact form.

And thank you!


  1. He knows whereof he speaks—he’s toured with the Harry James Band; done a lot of studio session work (he’s a saxophonist); taught musical practise, and theory, and improv at various universities. He was the first person, I think, to use the Stanford mainframe to compose—one of the first people to work on artificial intelligence there. He edited the first incarnation of Source magazine. He even played with Blue Cheer once at the Fillmore. ↩